More reviews in for O. Henry Prize Stories 2018

Two recent write-ups for this year’s anthology appeared recently. Hannah Niemeier at The New Criterion says these stories “place the poetic qualities of the short story on full display.” Here’s a highlight:

Jo Lloyd’s “The Earth, Thy Great Exchequer, Ready Lies,” a rare work of historical fiction (for this collection, at least), satirizes a British mine owner in a triumph of dialect that would have made Jonathan Swift proud.

That’s a great distillation of a story I loved—for its dystopian texture, its Wolf Hall-like atmosphere, and as always, Jo Lloyd’s terrific and affecting prose. Read the review here.

And a second review, at Kirkus, observes “A strong collection of first-rate work without a false note. Essential for students of the form.”

LitStack covers the O. Henry selection

Thanks to LitStack and T.S. Tate for this lovely writeup of my story's development, "Persistence and the Writer’s Road: Lauren Alwan’s 'An Amount of Discretion.'” The piece details the story's development, from numerous drafts to selection for this year's O. Henry Prize Stories by Laura Furman. Here's an excerpt that quotes my process of sending out the story:

“Around 2015, a friend and I decided to encourage each other in sending out stories for publication: we allotted every Thursday to sending out work, but with one important rule. Each story we sent out had to be submitted to at least ten journals–no less–and we had to report to each other where we’d sent work. I’d already squandered a lot of opportunities at my top tier journals (by sending out the story before it was finished), so by the time we started our submission Thursdays, I had about five possibilities left. Those five or so publications declined the story, but when I checked my records, I saw I hadn’t yet sent it to my absolute favorite journal, The Southern Review.”

Read the piece here.

"An Amount of Discretion" awarded a 2018 O. Henry Prize

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I'm thrilled to share the news that my story, "An Amount of Discretion," that appeared in The Southern Review (Winter 2017), has been selected by series editor Laura Furman for inclusion in the O. Henry Prize Stories 2018, due out from Anchor in September. I'm grateful to Emily Nemens, fiction editor at TSR for choosing the story from the slush pile, and whose care brought essential clarity and final polish. (Read Emily's fantastic news on her new post at The Paris Review here.)

And congrats to jury prizewinners, Jo Ann Beard, Marjorie Celona, and Youmna Chlala, selected by Fiona McFarlane, Ottessa Moshfegh, and Elizabeth Tallent.

An excerpt from "An Amount of Discretion" can be read on this blog, see below.

A pick from my LitStack Staff recs

I'm a big fan of Teri Garr, the legendary actress, comedienne, and Academy Award nominee (in 1982, as Best Supporting Actress, for Tootsie). Those who appreciate her singular style will no doubt relish her memoir, SPEEDBUMPS: FLOORING IT THROUGH HOLLYWOOD, a wry and candid look at her career, childhood growing up in L.A. with show business parents, and her struggle with MS. I recap the title in my weekly post at LitStack, and you can read it here.

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Catapult essay included in post-election reading list

My essay up at Catapult, "Arab Past, American Present," which appeared in January 2017, is included on this excellent reading list, "A Loose and Even Enjoyable Reading List to Help Explain How We Got Here" and includes many outstanding writers of classic and contemporary essays. The list is organized by topic and includes essays on Fascism and Nationalism, Critical Voices and Histories, The Angry Right, and Race and Ethnicity. 

Recap: The Story is the Thing, 5/25 reading at Kepler's

What a great event this was, the fourth installment of The Story is the Thing reading series at Kepler's in Menlo Park, presented by Kepler's Literary Foundation.  It was such an honor to read with these great writers, and to be a part of the terrific series run by Agica Zivaljevic.

I read with these fantastic writers, pictured below from left to right, Elizabeth McKenzie (The Portable Veblen), Shanthi Sekaran (Lucky Boy), Kalpana Mohan, and to the right of yours truly, Jon Sindell (The Roadkill Collection) and Chris Drangle 

Lauren reading at Kepler's in San Mateo

Join me at the great Kepler's Books in San Mateo for the spring installment of Story is the Thing, a quarterly reading series presented by Kepler's Literary Foundation. I'll be reading with Chris Drangle, Manjula Martin (ed. Scratch: Writers, Money, and the Art of Making a Living), Kalpana Mohan (Daddykins), Elizabeth McKenzie (The Portable Veblen), Shanthi Sekaran (Lucky Boy) and Jon Sindell (The Roadkill Collection).

  • Thursday, May 25, 2017
  • 7:30pm to 9:00pm
  • Kepler's Books 1010 El Camino Real Menlo Park, CA 94025
  • Admission is $10. Purchase tickets here.

My story, "An Amount of Discretion" appears in The Southern Review

Pick up the Winter 2017 issue of The Southern Review, the esteemed literary journal founded in 1935 (with Robert Penn Warren as editor), published by Louisiana State University Press. The latest issue includes fiction by National Book Award finalist Joan Silber ("Secrets of Happiness")and Pulitzer Prize finalist James Lee Burke ("The Wild Side of Life"), as well as poetry by U.S. Poet Laureate Charles Simic ("Charmed Circle;" "The Lifeboat;" "Past a Gull Sitting on a Buoy") and longtime contributor David St. John ("Equivalents"). I'm beyond honored to be included. Here's a glimpse:


An Amount of Discretion

Her husband’s instructions were clear. Within a year of his death, the sum of his collected work—the notebooks, drawings, prints, and paintings—would go to the institute where he’d taught painting for nearly five decades. As Jonathan’s executor, Seline was entrusted with the task, charged with inventorying the studio and dispatching the gift to the provost. (The same provost who, at the wake informed her, Scotch on his breath, that there would indeed be a posthumous retrospective with color catalog and scholarly overview.) Knowing his art would have a home at the institute was Jonathan’s comfort in those final months. It meant the collection would not be divided and sold off, but remain intact, stewarded by an institution that knew and understood his work. Once the immediate legal and personal matters settled, Seline’s work commenced. But as it happened, she’d only just begun her inventory when she came across her husband’s field journals.

It was summer, a glum Los Angeles June, and sitting cross-legged on the studio floor she studied the journals. There were eight in all, and some she was seeing for the first time. Most contained notes on the weather, varieties of light and shadow, observations that couldn’t be made with a drawn line, even one as good as Jonathan’s. But there was one notebook, bound in green, she’d never seen before, and opening it, she found it was filled with marvelous sketches—deer, quail, details of lupine and monkey flower, globed brown hills with scrub oak clustered in the gaps. Her first thought was to make the green journal a gift to Finn. But then she couldn’t bear to break up the lot, and soon resolved that her stepson should have all eight.

Read the story in The Southern Review.